Ahmad Alasti(retired)

1. Bourdieusian analysis of the representation of culture and urban spaces in Farhadi’s cinema (Case study: A Hero movie)

Hosein Heidari, Alasti Ahmad, Bolkhari Ghahi Hassan (2024)., Sociology of culture and art, 5(4).

1. Mohammad “Film the in Light of Structure Conceptual and Visual the of Analysis A

Naserpour Naser, Bolkhari Ghahi Hassan, Alasti Ahmad (2022)., BAGH-E NAZAR, 19(114).

2. Endlessness: New Ending Patterns in Postmodern Cinema with a Look at Mulholland Drive

Ghahramani Mohammad Bagher, Alasti Ahmad, Anari Amin (2022)., Scientific Journal of Performing Arts, 13(29).

1. Power, Imagination, and Reality in the First Decade of Peter Watkins Cinema

Fakouhi Nasser, Alasti Ahmad, LOTFALIKHANI ZEINAB (2020)., Journal of Interdisciplinary Studies in Communication and Media, 3(9).

2. Human in Peter Watkins Cinema, Wandering in Commune (of Paris 1871): Monograph

LOTFALIKHANI ZEINAB, Fakouhi Nasser, Alasti Ahmad (2020)., Journal of Iranian Anthropological Research, 10(19).

3. The Concept of Violence in discourse: A study of the film "The Hidden" by Handke

Sami Sepideh, Alasti Ahmad, Mahmoudi Bakhtiari Behrouz (2020)., honar haye ziba, 25(1).

4. The effect of the advertisments in the change of the identity of metropolitans

شکرابی نیلوفر, Mahmoudi Bakhtiari Behrouz, Alasti Ahmad (2020)., Honar-ha-ye-Tajassomi, 24(4).

1. Photography, the Continuity of Modern Iconography

Bolkhari Ghahi Hassan, Hasanpoor Mohammad, Alasti Ahmad (2019)., BAGH-E NAZAR, 16(73).

2. Motion Pictures

Alasti Ahmad (2019).

1. Imagination the creative aspect of reality

Alasti Ahmad (2018).

2. How to interpret the meaning of the documentary film

zakariyayi iman, Alasti Ahmad, hamidzade abdolah (2018)., Communication research, 25(3), 37-65.

3. Evolution of image expression in the dialogue scenes in the Cinema s of 80s

soutode sajad, Alasti Ahmad, yousefiyan mouhammad javad (2018)., Scientific Journal of Performing Arts, 22(2), 103-114.

1. Odysey

Alasti Ahmad (2017)., Farabi, 80(80), 77-106.

2. Transformation of visual expression at the moments of dialogue between Iranian cinema in the 1980s

Sotoudeh Sajad, Alasti Ahmad, Yousefiyan Mouhammad (2017)., honar haye ziba, دوره 22(شماره 2), 103-114.

3. Transformation of visual expression at the moments of dialogue between Iranian cinema in the 1980s

Sotoudeh Sajad, Alasti Ahmad, Yousefiyan Mouhammad (2017)., honar haye ziba, دوره 22(شماره 2), 103-114.

4. Imagination as the creative aspect of reality

Alasti Ahmad (2017)., Research and Research Center of Documentary and Experimental Film Development Center, 1(1), 121-142.

5. Psychoanalysis of fear :fear of fear

Alasti Ahmad, Behforouz Nima (2017)., Farabi, 19(79), 195-214.

6. Psychoanalysis of fear :fear of fear

Alasti Ahmad, Behforouz Nima (2017)., Farabi, 19(79), 195-214.

7. Mise-en-scene of sunrise /sunrise os Mise-en of sunrise

Alasti Ahmad (2017)., Farabi, 19(79), 1-28.

8. Mise-en-scene of sunrise /sunrise os Mise-en of sunrise

Alasti Ahmad (2017)., Farabi, 19(79), 1-28.

1. happy ending Bolshevik style

Alasti Ahmad (2016)., Farabi, 19(78), 3-30.

2. happy ending Bolshevik style

Alasti Ahmad (2016)., Farabi, 19(78), 3-30.

1. the role of media management in experience-oriented cinema

zinalabedini payam, Alasti Ahmad, hamidzade abdolah (2018)., Interbational conference on media managment, 5-7 November.

1. Aesthetics of Framing and Deframing in Iranian Cinema

Soutode Sagad, Soutode Milad, Alasti Ahmad, Yousefiyan Gafar (2016)., honar haye ziba, 21(2), 5-14.

2. Aesthetics of Framing and Deframing in Iranian Cinema

Soutode Sagad, Soutode Milad, Alasti Ahmad, Yousefiyan Gafar (2016)., honar haye ziba, 21(2), 5-14.